Sergei Prokofiev composed Vision Fugitives for his friends. In her abstract film matching the intoxicating rhythm of composition No. 14, the author captured the fleeting sensation of something pulsating and unrestrained. It is as if the cycle of metamorphoses performed by young pianist Matyáš Papp was trying to break out of its predetermined format.
Three authors, three different generations, three views on their own work. All three have worked in the audiovisual industry, advertising and other commercial spheres. Through animated interviews, the film looks at their experience and asks whether an author’s work has a place in their lives.
Sergei Prokofiev composed Vision Fugitives for his friends. In her abstract film matching the intoxicating rhythm of composition No. 14, the author captured the fleeting sensation of something pulsating and unrestrained. It is as if the cycle of metamorphoses performed by young pianist Matyáš Papp was trying to break out of its predetermined format.
This legendary film Marv Newland filmed in 1969 as a student of the ArtCenter College of Design (Los Angeles). Since then it has become cult and is often named to Best Of lists of numerous occasions. Film was made in primitive production conditions with a 16mm Bolex camera. With its simple black-and-white style, it resembles Winsor McCay's pioneering films.
Three authors, three different generations, three views on their own work. All three have worked in the audiovisual industry, advertising and other commercial spheres. Through animated interviews, the film looks at their experience and asks whether an author’s work has a place in their lives.
Guys working on a construction site have a problem – their shovel got stuck in the sand. A student from the Plzeň Studio of Animation, known to Anifilm audiences from previous festival editions, has once again chosen a provocative topic and form. Can the guys solve their problem by lunchtime? And if not, will something happen?
A music video by the renowned and successful Hungarian author Tomek Ducki elaborates and varies the relationship between a man and a woman. The author used original collages full of colours, motives and geometrical shapes.
A short film about the problems living in severe weather conditions can cause. A man living on a windy hill faces many difficulties but thanks to the strong wind, he eventually makes a discovery that lifts him to the sky.
This film bordering on an experimental music video was made in the animation studio of the Academy of Arts, Architecture and Design in Prague during a workshop led by the authors of this year’s festival jingle Dávid Štumpf and Michaela Mihályiová. The film is characterised by a colour palette that the authorial team limited almost exclusively to red, blue and white.
